The Lustmord series represents a turning point in Jenny Holzer’s work, because this was the first time that the artist used the human body as a tool of expression. The title is taken from a German word that means murder plus sexual pleasure.

Exhibition view: Jenny Holzer: Thing Indescribable, Museo Guggenheim Bilbao, Text: Lustmord , 1993–95; Interviews conducted by Human Rights Watch

Lustmord Table, (1994) by Jenny Holzer, shows a group of human bones are lying on a wooden table. Some of them carry a silver band engraved with fragments of the text Lustmord. The text itself describes a rape-killing from three different points of view: the victim, the perpetrator and the observer. The work and text … Artist Jenny Holzer's work 'Lustmord', which translates from German as 'sexual murder', shines a light on the crime from the view of the victim, the perpetrator and the observer. Trigger warning: this story contains mentions of sexual violence. Words by Taryn Cain 16 June 2015 The Lustmord series represents a turning point in Jenny Holzer’s work, because this was the first time that the artist used the human body as a tool of expression. The title is taken from a German word that means murder plus sexual pleasure.

Lustmord jenny holzer

Born July 29th, 1950 In college, she aspired to be an abstract painter at Rhode Island Institute. For more than thirty years, Jenny Holzer has presented her astringent ideas, arguments, and … Jenny Holzer - Artists - Cheim Read. Photo: Nanda Lanfranco. Holzer was born on July 29, 1950, in Gallipolis, Ohio.

Fletcher discusses "Lustmord"—a series of texts Holzer wrote in response to the systematic raping of Bosnian women by Serbian soldiers in the genocidal war in

buskemi. quik: “ JENNY HOLZER DETAIL FROM LUSTMORD, 1994C-PRINT (14 PARTS) 33 X 51 CM ”. Kai GoldenWords Trenter, Ulla; Lustmord [Ljudupptagning] / Ulla Trenter, Inger Jalakas. 2009; Tal(Talbok).

The Guggenheim Museum Bilbao presents Jenny Holzer: Thing Indescribable, a survey of work by one of the most outstanding artists of our time. This exhibition features new works, including a series of light projections on the facade of the museum, which can be viewed each night from March 21 to March 30.

Photo: Nanda Lanfranco. Holzer was born on July 29, 1950, in Gallipolis, Ohio. After attending high school in Ohio and Florida, she enrolled in Duke University’s liberal arts program in 1968 and later attended the University of Chicago from 1970 to 1971. In 1972, Holzer completed her undergraduate work at Jenny Holzer’s text-based projects have attracted the attention of critics, historians, and curators from Des Moines to Dresden. Chapter three shifts focus to one of Holzer’s later works, 1993’s Lustmord, in order to create a critical dialogue between Truisms and Lustmord. Contains the first version of Lustmord by Jenny Holzer.Lustmord, which translates to “sexual murder,” sheds light on the systematic rape of women during the Bosnian war.It is comprised of three poems, each from a different perspective: the victim, the perpetrator, and the witness one such rape. Lustmord Table, 1994 (detail) Installation: Jenny Holzer, Massachusetts Museum of Contemporary Art, North Adams, Massachusetts, USA, 2017 May 28, 2017–May 1, 2025 Text: Lustmord… Working Methods Jenny Holzer is best known for making visual art utilising language.

19,5 x 22,8 cm / 136 Pages. / images in color and b/w, Special- Edition .
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Australian/Harvard Citation. Holzer, Jenny.

Having begun her long and prolific career in the 1970s, she quickly gained ground due to … 2015-02-24 Jenny Holzer (born July 29, 1950) is an American conceptual artist. Holzer lives and works in Hoosick Falls, New York. Holzer belongs to the feminist branch of a generation of artists that emerged around 1980, looking for new ways to make narrative or commentary an implicit part of visual objects.
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Lustmord Table, 1994 (detail) Installation: Jenny Holzer, Massachusetts Museum of Contemporary Art, North Adams, Massachusetts, USA, 2017 May 28, 2017–May 1, 2025 Text: Lustmord, 1993–95 Photo: Jake Forney

Jenny Holzer's 'Lustmord' and the project of resonant criticism. n.paradoxa: International Feminist Art Journal, 6 (Desire and the Gaze, July 2000), pp. 12-21. Responding to the systematic rape and murder of thousands of women in brutal acts of ‘ethnic cleansing’ during the Bosnian War, Jenny Holzer produced the powerful Lustmord during 1993 and 1994.